Nobleman, dashing officer, and paragon of selfishness, Captain Jezal dan Luthar has nothing more dangerous in mind than fleecing his friends at cards and dreaming of glory in the fencing circle. But war is brewing, and on the battlefields of the frozen North they fight by altogether bloodier rules.
Inquisitor Glokta, cripple turned torturer, would like nothing better than to see Jezal come home in a box. But then Glokta hates everyone: cutting treason out of the Union one confession at a time leaves little room for friendship. His latest trail of corpses may lead him right to the rotten heart of government, if he can stay alive long enough to follow it.
Enter the wizard, Bayaz. A bald old man with a terrible temper and a pathetic assistant, he could be the First of the Magi, he could be a spectacular fraud, but whatever he is, he's about to make the lives of Logen, Jezal, and Glotka a whole lot more difficult.
Murderous conspiracies rise to the surface, old scores are ready to be settled, and the line between hero and villain is sharp enough to draw blood. Unpredictable, compelling, wickedly funny, and packed with unforgettable characters, The Blade Itself is noir fantasy with a real cutting edge.
The first print publication edited by Tavi Gevinson, the editor in chief of Rookie, the website for teenage girls
Tavi Gevinson started her personal blog, Style Rookie (http://www.thestylerookie.com), in 2008, when she was eleven years old. It was a place where, from the confines of her bedroom in the suburbs, she could write about personal style and chronicle the development of her own. Within two years, the blog was averaging fifty thousand hits per day. Soon fashion designers were flying her around the world to attend and write about fashion shows, and to be a guest of honor at their parties.
Soon Tavi’s interests grew beyond fashion, into culture and art and, especially, feminism. In September 2011, when she was fifteen, she launched Rookie (http://rookiemag.com), a website for girls like her: teenagers who are interested in fashion and beauty but also in dissecting the culture around them through a uniquely teen-girl lens. Rookie broke one million page views within its first six days. Rookie Yearbook One collects articles, interviews, photo editorials, and illustrations from the highly praised and hugely popular online magazine.
In its first year, Rookie has established a large inclusive international community of avid readers. In addition to its fifty-plus regular writers, photographers, and illustrators (many of whom are teenage girls themselves), Rookie’s contributors and interviewees have included prominent makers of popular culture such as Lena Dunham, Miranda July, Joss Whedon, Jon Hamm, Zooey Deschanel, David Sedaris, Elle Fanning, Amy Poehler, Paul Rudd, John Waters, Chloe Sevigny, Liz Phair, Dan Savage, JD Samson, Ira Glass, Aubrey Plaza, Daniel Clowes, Carrie Brownstein, Paul Feig, Bethany Cosentino, Kimya Dawson, Fred Armisen, and Winnie Holzman.
As a young teenager, Gevinson couldn’t find what she was looking for in a teen magazine; Rookie is the one she created herself to fill that void. Her coolheaded intellect shines in Rookie, arguably the most intelligent magazine ever made for a teen-girl audience. Gevinson writes with a humble but keen authority on such serious topics as body image, self-esteem, and first encounters with street harassment. She’s equally deft at doling out useful advice, such as how to do a two-minute beehive, or how to deliver an effective bitchface. Rookie’s passionate staffers and faithful readers have helped make Rookie the strong community that it is.
To date, Gevinson has written for Harper’s Bazaar, Jezebel, Lula, and Pop, and is a contributing editor for Garage magazine. She has been profiled in The New York Times and The New Yorker, and has been on the cover of Pop, L’Officiel, Zeit Magazin, and Bust. As a speaker, she has made numerous presentations at venues such as IdeaCity, TEDxTeen, L2 Forum, and the Economist World in 2012 Festival. Last year Lady Gaga called her “the future of journalism.”
Verily speaks Christopher Moore, much-beloved scrivener and peerless literary jester, who hath writteneth much that is of grand wit and belly-busting mirth, including such laureled bestsellers of the Times of Olde Newe Yorke as Lamb, A Dirty Job, and You Suck: A Love Story. Now he takes on no less than the legendary Bard himself (with the utmost humility and respect) in a twisted and insanely funny tale of a moronic monarch and his deceitful daughters—a rousing story of plots, subplots, counterplots, betrayals, war, revenge, bared bosoms, unbridled lust . . . and a ghost (there's always a bloody ghost), as seen through the eyes of a man wearing a codpiece and bells on his head.
A revealing memoir of how Washington is changing---and not for the better
During a storied thirty-year career in the U.S. Senate, Arlen Specter rose to Judiciary Committee chairman, saved and defeated Supreme Court nominees, championed NIH funding, wrote watershed crime laws, always staying defiantly independent, “The Contrarian,” as Time magazine billed him in a package of the nation’s ten-best Senators. It all ended with one vote, for President Obama’s stimulus, when Specter broke with Republicans to provide the margin of victory to prevent another Depression.
Shunned by the GOP faithful, Specter changed parties, giving Democrats a sixty-vote supermajority and throwing Washington into a tailspin. He kept charging, taking the first bursts of Tea Party fire at public meetings on Obama’s health care--reform plan. Undaunted, Specter cast the key vote for the health plan.
In Life Among the Cannibals, Specter candidly describes the battles that led to his party switch, his tough transition, the unexpected struggles and duplicity that he faced, and his tumultuous campaign and eventual defeat in the 2010 Pennsylvania Democratic primary.
Taking us behind the scenes in the Capitol, the White House, and on the campaign trail, he shows how the rise of extremists---in both parties---has displaced tolerance with purity tests, purging centrists, and precluding moderate, bipartisan consensus.